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| Issue #1 of Barack the Barbarian |
Depictions of African Americans and other underrepresented minorities within comic books and comic strips have typically been characterized by common racial stereotypes throughout the years. African American characters typically spoke in dialect, World War II-themed superhero comics (like Captain America) battled buck-toothed, slant-eyed Japanese villains, and Latinos were usually depicted with sombreros or as crazed Pancho Villa-like revolutionaries. The list goes on and on.
This situation was fueled in many respects by the fact that the comics industry had very few minority writers, artists, and publishers. There were, however, exceptions to the rule. Jackie Ormes’ 1950s-era Torchy Brown character has been cited as a progressive representation of African Americans and women. George Herriman’s Krazy Kat is considered by many to be one of the masterpieces of 20th century comic art. Artists such as Jose Luis Garcia-Lopez have worked within the mainstream superhero realm of DC and Marvel comics for many years, and the 1990s saw a rise in diversity of themes, artists, writers, and publishers within the comics industry. Today, publishers such as Blue Corn Comics and artists such as Kyle Baker, Gene Yang, and Keith Knight bring a wider voice to comics and graphic novels.
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| Recent publications about African Americans, Native Americans, and Latinos in comics are aiding Amistad in its new collecting area. |
Posted by Christopher Harter
(Images from the Amistad Research Center. May not be reproduced without permission.)



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